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| Taglines: | 1: “No one gives it to you, you have to take it” 2: Be careful with the road you choose!! You could lose your identity on the way!! 3: Cops or Criminals. When you’re facing a loaded gun what’s the difference? 4: Lies. Betrayal. Sacrifice. How far will you take it? 5: No matter how tall, big, successful, bad, good you are; a gun changes everything 6: Shoot first, ask questions later; that way you will survive this world 7: Undercover 8: Underhanded 9: Unrestrained 10: Who is your friend and your enemy? Dont know, just shoot and it won’t be none of them |
| Plot Summary: | Two just-graduated officers from Massachusetts State Police Academy follow opposite sides of the law: William Costigan is assigned to work undercover with the Irish mobster Frank Costello to get evidences to arrest him. His true identity is only known by his superiors Dignam and Oliver Queenan. The protégée of Costello, Colin Sullivan, is promoted in the Massachusetts State Police and is the informer of Costello. Each police officer gives his best effort trying to disclose the identity of the other “rat”. |
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| Taglines: | 1: A global disaster. 2: A single gunshot heard around the world. 3: If You Want to be Understood…Listen 4: One shot, many kills. 5: Pain is universal… But so is hope. 6: Tragedy is universal |
| Plot Summary: | Richard and Susan are a couple from San Diego, California who are vacationing in Morocco while their two children are at home with their Mexican housekeeper, Amelia. A rifle finds its way into the hands of a local herdsman’s young sons, who recklessly take a shot at a tour bus and hit Susan in the shoulder, causing her severe injury. The distraught Richard calls home to tell Amelia of the situation, who shortly departs for Mexico to attend her son’s wedding, with Richard and Susan’s children in tow. Disaster thus multiplies, with the situation in Morocco ascribed to terrorists in the media, while Amelia meets with trouble at the Mexican border when she attempts to return to San Diego with Richard and Susan’s children. Meanwhile, in Tokyo, a widower tied to the rifle in question, a complex shift of ownership to which the audience is privy, attempts to deal with the memories of his recently deceased wife and his strained relationship with his deaf teenage daughter. |
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| Taglines: | 1: Our Leaders. Ourselves. 2: Tradition Prepared Her. Change Will Define Her. |
| Plot Summary: | The Queen is an intimate behind the scenes glimpse at the interaction between HM Elizabeth II and Prime Minister Tony Blair during their struggle, following the death of Diana, to reach a compromise between what was a private tragedy for the Royal family and the public’s demand for an overt display of mourning. |
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| Taglines: | 1: Back With A Vengeance 2: Here comes the bride. 3: Kill Bill Now 4: Kill is love. 5: On April 16th…The Quest for Revenge Continues… 6: Revenge is a dish best served cold. 7: She will kill Bill 8: The bride is back for the final cut 9: The whole thrilling tale is revealed. 10: This Spring, It’s Not Over Til It’s Over |
| Plot Summary: | The Bride woke up after a long coma. The baby that she carried before the coma was gone. The only thing on her mind was to get revenge on the assassination team that betrayed her - a team she was once part of. With two of the people on her Death List taken care of, she must pursue Budd, Elle Driver and of course Bill himself. But she is in for a surprise… |
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| Taglines: | 1: Go for the kill 2: Here comes the bride 3: In the year 2003, Uma Thurman will kill Bill 4: On October 10th, speak softly and carry a big sword 5: On October 10th…a Quest for Revenge begins 6: The Fourth Film by Quentin Tarantino 7: This October, Go For The Kill 8: Will she kill Bill? |
| Plot Summary: | “The Bride” was once part of a group of world class female assassins, until the group leader, “Bill” and the other assassins turn against her. Four years later “The Bride” awakens from the coma the assassins left her in and heads out to seek bloody revenge. Unlike conventional movies, Kill Bill is told in chapter format making the narrative flow more like a book than a film. |
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| Taglines: | 1: 15 miles from paradise…one man will do anything to tell the world everything. 2: Based on a true story. 3: Drugs Guns Music Love 4: Fight and you’ll never survive….. Run and you’ll never escape. 5: If you run it will get you. If you stay it will eat you. |
| Plot Summary: | Cidade de Deus (City of God) is a housing project built in the 1960’s that—in the early 80’s—became one of the most dangerous places in Rio de Janeiro. The tale tells the stories of many characters whose lives sometimes intersect. However, all is seen through the eyes of a singular narrator: Busca-Pé, a poor black youth too frail and scared to become an outlaw but also to smart to be content with underpaid, menial jobs. He grows up in a very violent environment. The odds are all against him. But Busca-Pé soon discovers that he can see reality differently than others. His redemption is that he’s been given an artist’s point of view as a keen-eyed photographer. As Busca-Pé is not the real protagonist of the film—only the narrator—he is not the one who makes the decisions that will determine the sequence of events. Nevertheless, not only his life is attached to what happens in the story, but it is also through Busca-Pé’s perspective of life that one can understand the complicated layers and humanity of a world, apparently condemned to endless violence. |
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| Taglines: | 1: 15 miles from paradise…one man will do anything to tell the world everything. 2: Based on a true story. 3: Drugs Guns Music Love 4: Fight and you’ll never survive….. Run and you’ll never escape. 5: If you run it will get you. If you stay it will eat you. |
| Plot Summary: | Cidade de Deus (City of God) is a housing project built in the 1960’s that—in the early 80’s—became one of the most dangerous places in Rio de Janeiro. The tale tells the stories of many characters whose lives sometimes intersect. However, all is seen through the eyes of a singular narrator: Busca-Pé, a poor black youth too frail and scared to become an outlaw but also to smart to be content with underpaid, menial jobs. He grows up in a very violent environment. The odds are all against him. But Busca-Pé soon discovers that he can see reality differently than others. His redemption is that he’s been given an artist’s point of view as a keen-eyed photographer. As Busca-Pé is not the real protagonist of the film—only the narrator—he is not the one who makes the decisions that will determine the sequence of events. Nevertheless, not only his life is attached to what happens in the story, but it is also through Busca-Pé’s perspective of life that one can understand the complicated layers and humanity of a world, apparently condemned to endless violence. |